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Saturday, September 27, 2025

Another Boy Meets World – Episode Six: “Boy Meets Date Night”

 

COLD OPEN – MATTHEWS APARTMENT – EARLY EVENING

Topanga adjusts earrings; Cory wrangles a jacket that insists on being a cardigan.

Cory: Double date night: two grown-ups plus two other grown-ups equals… supervision-free evening for our child.

August (entering, cologne cloud adjacent): Correction: teen date night. Me and Ava. Independently. Like a small republic.

Topanga: Where are the small republic and its ally dining?

August: Franklin Lanes & Diner. Bowling and milkshakes. Democracy.

Cory: (checking his phone) Funny. We’re… also going there.

August: You’re—?

Shawn (pokes head in): I booked the lane pizza. Katy wanted skee-ball. Don’t fight destiny.

Katy (from hall): I wanted nachos but okay.

Beat. Everyone blinks.

Ava (bursting in, dressed to sparkle): Hi Mr. and Mrs. M—oh. We all look beautiful tonight.

August: This isn’t a chaperone situation.

Cory: Of course not. We won’t even see you.

Topanga: It’s a popular place. With breathable air we all share.

Ava: …Neat.

Smash to titles.


ACT ONE

SCENE A – FRANKLIN LANES & DINER – CHECK-IN

Neon buzz. Bowling balls like planets. A HOST scans the system.

Host: Matthews party of two… Hunter party of two… and a reservation for “August & Ava” with bumper rails.

August: We’re sophisticated. We requested one bumper.

Ava: For personality.

Cory: We’ll be at the opposite end of the galaxy. (aside) Which is five lanes away.

Topanga: (to August, gentle) You see us, we see you, everyone pretends to be surprised. Go have fun.

August and Ava exchange a look: okay. They head to Lane 12. Cory and Topanga join Shawn and Katy at Lane 7.


SCENE B – LANE 12 – DATE MODE

Ava ties rental shoes with alarming speed.

Ava: Tonight’s goals: one milkshake, two hand-holds, three frames where I don’t launch the ball into a new timeline.

August: I brought quarters for the claw machine. Emergency prizes.

They settle in. Ava bowls first—wobbly gutter, saved by the single bumper. Two pins fall. She cheers like she won state.

Ava: We celebrate small pins.

August: We are small pins.

They share fries. Across the lanes, the parents arrive with comical nonchalance.

Cory (too loud): Wow, what are the odds.

Ava (whisper): Eighty-seven percent.

August (whisper): Minimum.


SCENE C – LIBRARY – AFTER SCHOOL

Dewey sits with Mikey, purple pen cocked, notebook open.

Dewey: Vocabulary quiz: “Isosceles.” Go.

Mikey: Two equal sides. Triangle with a favorite child.

Dewey: Shockingly correct and weird. (beat) New plan: you explain it back to me like I’m your grandma.

A small whirlwind in a backpack—MIRANDA (12, seventh grade, Mikey’s sister)—slides into a chair.

Miranda: Mom says you have to get home after this— (sees Dewey, freezes) …hi.

Mikey: Miranda, this is Dewey. Dewey, Miranda. She’s—(motions) seventh grade.

Miranda: (beaming) I know who he is. He’s in the hall of the Tall Boys. You’re… very… educational.

Dewey: Thank you? Sit if you want. No pressure. We’re flirting with triangles.

Miranda: I love geometry. (she does not) I can stay.

Mikey side-eyes the camera we can’t see.


SCENE D – LANE 7 – PARENT DATE

Shawn lines up, bowls a smooth strike. He doesn’t celebrate; Katy does a victory dance for him.

Katy: We still got it.

Topanga: We never lost it.

Cory (peeking toward Lane 12): How often is “not often” regarding glances?

Shawn: Every never. Eyes on your lane, Matthews.

Topanga: He’s fine. She’s fine. We raised fine.

Cory: I know. (beat) But also… tiny bowling balls, tiny heart.

Katy: If you cheer from here, I’ll allow it. If you migrate, we’ll revoke privileges.

Cory: I accept your terms.

They bowl. Cory remains, barely, in his lane.


SCENE E – LANE 12 – COLLISION COMEDY

A server delivers a comically large share milkshake with two straws. August and Ava blush at the architecture of it.

August: This is a commitment.

Ava: We’re brave.

They sip. It’s very cute. At that exact vulnerable moment—the parents stroll up with pizza.

Cory: Look who we ran into!

Ava: (smile strained) It’s fate.

Topanga: We brought you napkins and a no-pressure hello.

Shawn (low to August): Tap your toe twice if you need an extraction plan.

August (low): I love everyone here but also please go away.

Topanga (reading it, kind): We’re truly leaving. Proud of you. (to Ava) Your hair is beautiful.

Ava (softens): Thank you. (beat) We’ll say hi later. Promise.

Parents retreat—Shawn herding Cory by the elbow. Ava exhales.

Ava: That was almost a sitcom.

August: We live in a sitcom.

They clink fries. Reset.


ACT TWO

SCENE F – LIBRARY TABLE – LATER

Dewey sketches triangles; Mikey follows. Miranda doodles “Miranda ♥ Algebra” which is a lie, then stealth-adds “Dewey” in the margin.

Dewey: Okay, equal angles on the base. See? If sides match, bottom corners match.

Mikey: Wizardry.

Dewey: Math.

Miranda: (blurts) What’s your favorite movie?

Dewey: Today? The one where the main guy studies. It’s a thriller.

Miranda: Mine is whatever yours is. Also do you like—like—older girls? Like, eighth grade?

Mikey: No.

Dewey: (gently) I like… classmates. And dogs. And people who do their homework.

Miranda: I can be… all three?

Mikey: Please stop.

Dewey: You can definitely be the homework one. That’s more than enough.

She nods, mortified but listening.


SCENE G – LANE 12 / ARCADE – DATE NIGHT CONTINUES

A soundtrack of pins and retro beeps. August and Ava tour the arcade between frames.

Ava: If I win you a tiny plush, will you name it Franklin Lane?

August: Obviously.

They try the claw; it drops the prize in tragic slow motion. They cackle anyway.

Back at the ball return, Cory waves from the far lane with the world’s smallest thumbs-up. Topanga blows a kiss there-and-back like a boomerang. Ava smiles—okay, that’s kind of cute now that it’s distant.

They bowl one last frame: Ava nails a spare; August rolls a nine and does a tiny, contained victory dance.

Ava: That’s the dance of my people.

August: It’s hereditary.


SCENE H – LIBRARY EXIT – EVENING

Packing up. Miranda lingers.

Miranda: I’m sorry I was… weird.

Dewey: You weren’t weird. You were twelve. Being twelve is extreme.

Mikey: Fact.

Dewey: Here’s the deal. I’m your brother’s friend. That means I’m rooting for you as a kid I care about, not a crush. If you want, I’ll help you with math sometimes—when he says it’s okay and when it’s school, not life.

Miranda: Okay. And I’ll… like people who like me back. At… my lunch period.

Dewey: That’s an A-plus plan.

She grins, relieved. Mikey gives Dewey a look—thanks without words.

Mikey: You’re not awful.

Dewey: Highest compliment in the ninth grade.

They bump fists. Miranda skips ahead, humming.


ACT THREE

SCENE I – FRANKLIN LANES – LATER

Bills paid, shoes returned. The two date nights cross at the exit.

Topanga: How was independence?

Ava: Delicious.

Cory: Boundaries report?

August: We’ve determined the following: you exist, we exist, and we can all exist in one building without becoming a group date.

Shawn: Growth detected.

Katy: We’re proud. Also we’re totally stealing your milkshake idea next time.

Ava: Copy fee is three fries.

They trade three fries like a treaty, all laugh.

Cory (to August, aside): You tell me when we’re too close. I’ll listen. Even if I’m twitchy.

August: I’ll speak up. Even if I’m twitchy.

They nod—deal.


SCENE J – MATTHEWS APARTMENT – NIGHT

August pins a Polaroid from the diner photo booth—him and Ava with a tiny plush the claw did finally cough up—onto his corkboard. It’s labeled “Franklin Lane (the bear).”

Ava (text): best date. your dad is a cartoon but in a good way. 🩷

August (text): agreed. boundaries unlocked. see you for math? (not my best subject)

Ava: i’ll fold gently. also i beat my spare. scared of me yet?

August: constantly.

Topanga peeks in with two bowls of popcorn.

Topanga: Your father and I are watching a black-and-white movie in the living room. You’re invited to ignore us.

August: Perfect plan.

They smile. Home is big enough for everyone.


TAG – LIBRARY / HALLWAY – NEXT DAY

Dewey opens his locker. A tiny, folded paper slides out: a hand-drawn certificate reading “To: Mr. Dewey, For Not Being Weird About Feelings. Signed, Miranda” with a doodle of an isosceles triangle wearing sunglasses.

Mikey (over his shoulder): She made you a math guy with drip.

Dewey: I’ll allow it.

He sticks it inside the locker like a secret trophy. Bell rings. They head to class—friends, boundaries intact.

END.

Girl Meets Life After High School – Episode Eight: Girl Meets Accidental Ally

 

COLD OPEN – PENNBROOK QUAD, LATE AFTERNOON

Riley and Farkle hustle across campus in a confetti of flyers.

Riley: Spirit Bash is in the gym, then free cocoa.

Farkle: “Free” and “cocoa” are my love languages.

They follow a crowd into… the wrong field house. Banners unfurl: WELCOME FIGHTING AMISH! A drumline hits. Mascot: a smiling wooden-horsie logo on a teal banner.

Riley: I love our new—wait, do we have teal?

Farkle: The Penguins are navy and silver. Teal is… not.

A kind girl beside them, SADIE (18, friendly), hands them mini cowbells.

Sadie: First time at the Bash? Ring when they say “work hard, be kind.”

Riley/Farkle: (weak smile) Totally.

Chant erupts: “WORK HARD—BE KIND!” Cowbells everywhere. Riley and Farkle ring—then clock the giant mural: East Lancaster Tech – Fighting Amish. They freeze.

Riley (whisper): We’re at the rival’s pep rally.

Farkle (whisper): Blend. Observe. Exit.

Sadie: I’m Sadie. What are your majors?

Riley: Um… kindness?

Farkle: …Working hard?

Smash to sting.


ACT ONE

SCENE A – RIVAL FIELD HOUSE

A student host explains the food drive totals; everyone cheers. Sadie asks Riley a question about the astronomy elective. Riley lights up.

Riley: You like astronomy?

Sadie: Love it. I’m writing my essay on the moon landing broadcast and community. Corny, right?

Riley: Corny is my religion. I mean… (gestures to banners) respectfully themed.

Farkle clocks a sign-up: STEM Mentors—the same program Pennbrook runs. He and Sadie geek about sensors; they forget they’re in enemy territory until the host shouts:

Host: Beat the Penguins!

Everyone boo-cheers; Sadie whoops; Riley and Farkle clap… politely.

Riley (tiny): We have to go.

Sadie: You just got here. There’s cocoa. And a craft table where you can make friendship pins.

Riley gives Farkle a we like friendship pins face.

Farkle: One pin—then we mysteriously evaporate.

They pin. They smile. They’re toast.


SCENE B – FRESHMAN ENGLISH, DAY

Zay and Lucas sit in an intro seminar circle with a TA, MARCO (earnest). The syllabus thuds.

Marco: We’ll practice close reading. Start with the text, build outward. No panic; this class is for joy.

Cut to: Zay and Lucas later in the library surrounded by six colors of tabs.

Zay: I highlighted the acknowledgments.

Lucas: I analyzed the table of contents for foreshadowing.

Zay: Should we annotate our annotations?

Lucas: Only if we want A-pluses in Overdoing It.

They high-five and keep spiraling.


SCENE C – ART STUDIO, AFTERNOON

Maya sets up an easel. Rachel breezes in with a garment bag and a tiara.

Rachel: I’m your subject. I brought… options.

Maya: Sit in a chair like a normal dean.

Rachel: Or I’m a queen of logistics.

She dons the tiara. Maya groans, laughs, sketches anyway.

Rachel: Capture my essence.

Maya: Your essence is “kind hardass in flats.” Not… prom.

Rachel: Flats can be royal.


SCENE D – ERIC’S APARTMENT, EVENING

Zay and Lucas collapse on Eric’s couch with printed marginalia. Eric wears a sash: FORMER SENATOR / CURRENT SOFA.

Eric: Good! You studied literature until it begged for mercy.

Zay: We took “close reading” too close.

Lucas: I annotated the pizza menu.

Eric: You’ve joined the cult of Interpretation Without Naps. As your sofa, I prescribe: grilled cheeses, no thesis statements for two hours, and an alarm for tomorrow’s class.

Zay/Lucas: Yes, Sofa Dad.

Eric: Also, power ballad hums at 4:13. It heals.

They melt into cushions like chastened golden retrievers.


ACT TWO

SCENE E – RIVAL FIELD HOUSE → QUAD

Riley and Farkle help stack canned goods—muscle memory from Window Collective. Sadie tells a story about her grandma watching the first televised game.

Sadie: My school feels big. Today felt… us.

Riley: Ours does this too. The food drives, the yelling with manners.

Sadie: You’re—wait. You said “ours.” What school?

Riley and Farkle wince. Confess.

Farkle: We thought this was our Spirit Bash. It was… not.

Sadie blinks… then laughs.

Sadie: Oh my gosh—Penguins in the wild. It’s fine. Your coats gave you away.

Riley: We brought kindness! And a half-finished friendship pin.

Sadie: Keep ringing the bell. It’s for the pantry, not the mascot.

They all ring—work hard, be kind—and slip out.


On the quad, Farkle and Riley breathe.

Farkle: We made a friend on the other team.

Riley: Is that allowed?

Farkle: Pennbrook statute 12: “People change people.”

Riley: Also, cocoa changes mood.

They head to the Penguin rally—late, glittery, oddly proud.


SCENE F – ART STUDIO, LATER

Rachel re-enters in a flowy dress with a dramatic cape. Maya squints.

Maya: You are trolling me.

Rachel: I’m making it interesting.

Maya: The assignment is portrait, not costume design for a very fancy ghost.

Rachel: A subject is allowed to play.

Maya: The painter is allowed to ban hats.

They negotiate; Rachel swaps the cape for her Dean blazer—but keeps the tiara on top. Maya can’t help it—she laughs while painting.

Maya: Fine. Queen of Paperwork.

Rachel: Empress of forms.

They grin.


SCENE G – FRESHMAN ENGLISH, NEXT MORNING

Zay and Lucas present their passage analysis with eight handouts and a laser pointer.

Marco: This is… thorough.

Zay: We traced motifs, archetypes, and a theme we invented about soup.

Marco: And what did the paragraph make you feel?

Zay and Lucas… stall.

Lucas: We forgot feelings.

Marco: Start there. Then build out. You don’t earn an A by drowning the poem.

Zay: We waterboarded it.

Marco: Great verb. Now set the binder down and tell me a sentence in your voice.

They do. It’s good. Marco nods, proud. They exhale. Homework for them: read less, mean it more.


SCENE H – PENNBROOK QUAD, AFTERNOON

Riley & Farkle set up a Window Collective table: “Pantry Drive: Rival Week—Everybody Eats.” A stack of teal and navy wristbands reads WORK HARD / BE KIND on one side, PEOPLE > PENGUINS on the other.

Sadie approaches, half-wary, half-curious.

Sadie: I brought the cans you guiltily made me want to donate.

Riley: We’re allies in the pantry.

Farkle: Enemies in volleyball, respectfully.

They trade school pins. Sadie drops cans in the bin.

Sadie: When we play you Saturday, I’m yelling at your mascot.

Riley: Please do. He needs the attention.

Farkle: Also, your teal is objectively excellent. It hurts to admit.

Sadie: Your penguin is objectively adorable. It hurts to admit.

They grin. Truce.


ACT THREE

SCENE I – ART STUDIO, EVENING

The painting is done: Rachel in her Dean blazer, sneakers, lanyard, and—yes—a slightly askew tiara. The background is a warm wash like a window at golden hour. She looks like someone who says yes to students and no to nonsense.

Rachel: You didn’t paint the dress.

Maya: I painted the person.

Rachel: (soft) I was making it hard on purpose. Your eye landed anyway.

Maya: You’re bossy.

Rachel: I’m… your biggest fan.

They share a quick hug.


SCENE J – ERIC’S APARTMENT, NIGHT

Eric’s coffee table has become a tiny command center: two bowls of popcorn, a stack of Window Collective wristbands, Zay and Lucas’s now-reasonable notebooks.

Riley and Farkle burst in, flushed.

Riley: We accidentally infiltrated the Fighting Amish and made a friend.

Eric: Good! (beat) As long as you still boo respectfully on game day.

Farkle: We will boo with tact.

Zay: We will analyze less and clap more.

Lucas: We will nap occasionally.

Eric: Look at my children—emotionally hydrated. On three, deep breath.

They breathe. The room un-knots.

Riley: Saturday after the game—joint pantry sort with Sadie’s school?

Farkle: We already synced calendars. Rivalry in the morning, community in the afternoon.

Zay: That’s… actually perfect.

Lucas: Like a truck-driver key change back into the home key.

Eric: (tears up) They grow up so fast.

They all throw popcorn at him.


TAG – PEP RALLY, GAME DAY

Split-screen vibe on the same field: Penguins on one side, Fighting Amish on the other. Riley and Farkle lock eyes with Sadie across the divide; they point at the pantry bin behind each cheer squad.

Announcer: And don’t forget—bring your cans to either table. We all win that part.

Sadie cups her hands: “WORK HARD—”

Riley cups hers back: “BE KIND!”

They yell it at the same time, then join their teams’ noise. The band swells. Somewhere, Dean Buffalo wears a tiny half-navy/half-teal scarf. Probably.

END.

Saturday, September 20, 2025

Another Boy Meets World – Episode Five: “Boy Meets Picture Day”

 

COLD OPEN – MATTHEWS KITCHEN – MORNING

Topanga packs lunches. Cory irons a button-down with the intensity of a NASA launch. AUGGIE/“AUGUST” checks his hair in the toaster reflection.

Ava bursts in, brandishing a glittery tube.

Ava: For picture day, I present: Mega Plump 3000. Subtle pout. Editorial chic. I will be a glossy legend.

Topanga: Read the label and start tiny.

Ava: Labels fear me. (swipes on a generous coat) Tingling… cute… fiery… okay, oh no, that’s a lot of lip.

Cory: You’re a walking primary source on the Progressive Era of Cosmetics.

Ava: Is my face… bigger?

August: Only your confidence. And your lips. Mostly your lips.

Topanga: Blot, rinse, balm. If it still tingles, swing by the nurse. You’re okay.

Ava: (blotting) I’m okay. I’m iconic. And possibly minty.

Smash to titles.


ACT ONE

SCENE A – ABIGAIL ADAMS HIGH, HALLWAY – LATE MORNING

Banners: PICTURE DAY – GYM. A line snakes past lockers. DEWEY practices smolder angles against a trophy case. MIKEY stands stoic with a comb he pretends he doesn’t own.

Dewey: You get three poses: Thoughtful, “I Have Secrets,” and “My Dog Just Understood Me.”

August: My face only does “present.”

Ava arrives, lips… impressively plump (but safe). She smiles with forced chill.

Ava: Hello, fellow photogenic youths. Do not perceive my mouth.

Mikey: Something… different?

Ava: It’s—(tingle spikes) Okay, nurse. I’ll be back before my slot. Nobody panic.

August: I’ll come.

Ava: You’re the manager of my heart, but stay. Guard our place in line. If Dewey says “smolder,” tell him no.

She zooms off.

Dewey: Smolder is a lifestyle.

Mikey: Wizardry.


SCENE B – CORY’S CLASSROOM – SAME TIME

Cory wheels in a cart with odd props: a black cloth, a tin plate, a tripod.

Cory: History, meet your mirror: Photography. Today—daguerreotypes, matriarchs, and how pictures picked fights with the truth.

He reveals a print of Sojourner Truth’s portrait with “I sell the Shadow to support the Substance.

Cory: Sojourner Truth sold portraits to fund her work. She understood selfies before Instagram: control the frame, control the story.

Dewey (from doorway, late): We’re doing wizard portraits?

Cory: Science wizards. Silver on copper. Long exposures. You had to sit very still and not sneeze for—(glances at Mikey)

Mikey: Wizardry.

Cory: Also Mathew Brady’s Civil War photos—truth or theater? And “You press the button, we do the rest”—Kodak’s promise that made everyone a storyteller. Question of the day: What do you want history to see when it looks at you?

He writes it on the board. The class actually thinks.


SCENE C – SCHOOL NURSE / HALLWAY – CONTINUOUS

Ava sits with an ice pack and a dab of plain balm. Tingling calmed; lips still extra, but she looks relieved.

Nurse: You’re fine. Less product, more water, more breathing. Want a mint?

Ava: I’m fifty percent mint already, thank you.

August jogs up.

August: How’s the pout?

Ava: Downgraded from “movie poster” to “I overestimated.” I can do this. (to herself) Fold gently.

They head back.


SCENE D – GYM – PICTURE STATION

Backdrop: blue clouds. Photographer with a cheerful “Next!” Dewey steps on the X.

Photographer: Shoulders down. Eyes here. Three… two—

Dewey (soft): My dog just understood me.

Click. It’s actually great.

Dewey: I am inevitable.

Mikey steps up, jaw set.

Photographer: Can I get… a hint of smile?

Mikey: I don’t do hints.

August (from side): Think of… pretzel snickerdoodles.

Mikey: (betrayed by joy) Heh.

Click.

Ava takes her turn, steady now.

Photographer: Lip color is lovely. Chin down a touch. Breathe.

Ava inhales, exhales, lets the grin be hers.

Click.

August steps up last. Blink. Click.

Photographer: Let’s try one more—look at your friend. Not the lens. Ready… go.

August looks at Ava, who’s doing the tiniest, goofiest thumbs-up.

Click. Nailed it.


ACT TWO

SCENE E – CORY’S CLASS – LATER

Cory circulates as kids draft short cards: “My Frame Statement.”

Cory: Dorothea Lange framed struggle with dignity. Gordon Parks framed injustice so you couldn’t unsee it. Your yearbook will frame you. Is that performance? Sure. But is it a lie? Not if you decide the why.

Student: So if I pose with my trumpet, that’s not bragging?

Cory: That’s curation. You’re saying, “This made me.”

Mikey (raising hand, surprising himself): What if you don’t know your why yet?

Cory: Then your picture can say, “I showed up.” That’s chapter one.

Mikey nods, thinking.


SCENE F – TOPANGA’S (NYC) – AFTERNOON

Shawn has set up a seamless backdrop, soft box lights, and a little fan. A chalkboard reads: “Glam Day: Headshots & Shenanigans.”

Topanga: Are we sure about the fan?

Shawn: ‘90s glamour requires a minimum breeze.

Katy enters, vintage dress, a little nervous.

Katy: Is there a setting for “mom who’s allowed to feel beautiful”?

Shawn: That’s my only setting.

They start—Topanga in blazer-lawyer chic, then apron-boss chic; Katy in classic Hollywood, then modern sparkle. They hype each other like sisters.

Topanga: You glow.

Katy: You own.

Shawn: (grinning) And I… still got it.

CLICK. CLICK. Laughter everywhere.


SCENE G – HALLWAY – AFTER SCHOOL

Ava flips through proofs printed on contact sheets. August, Dewey, Mikey crowd around.

Ava: I look like… me. Not the lip gloss. Me.

August: Because you chose it. Not the other way around.

Mikey: I didn’t hate mine.

Dewey: You look like you’re about to hit a home run in life.

Cory appears, holds up the card stack from class.

Cory: Quick exit ticket: one sentence, out loud. What do you want this year’s picture to say?

Dewey: “I commit to the bit.”

Ava: “I am a lot—and I can be gentle.”

Mikey: “I showed up.” (then, smirking) Wizardry.

August: “I’m becoming August, on purpose.”

Cory: Put that under your names and call it history.

They smile, a little proud of themselves.


ACT THREE

SCENE H – TOPANGA’S – EVENING

The café’s wall now has a small “Neighborhood Faces” display: Katy’s and Topanga’s prints side-by-side—strong, joyful, complicated.

Katy: We look like who we are and who we’re allowed to be.

Topanga: That’s the whole point.

Shawn: (hangs a third frame) And this one’s the “supporting cast.” (It’s a candid of all three laughing mid-pose—hair flying, eyes crinkled.)

Topanga: Frame that one twice.

They tuck arms and admire the wall.


SCENE I – MATTHEWS APARTMENT – NIGHT

August pins his photo slip to a corkboard next to a goofy childhood picture. Ava studies both.

Ava: That tiny you thought big you would be a superhero.

August: Big me found out heroes also organize equipment bins and carry ice packs.

Ava: And tell me to breathe when my mouth becomes a billboard. (beat) Thanks for guarding my place in line.

August: Always.

Topanga walks in, sets down a framed print from Shawn: the three of them at the kitchen table, mid-laugh.

Topanga: Look what Uncle Shawn dropped off.

Cory (entering): Looks like truth.

August: Looks like… us.

They hang it. Step back. It fits.


TAG – SCHOOL GYM, RETAKE DAY (QUICK)

Ava approaches the backdrop with a tiny dab of gloss.

Photographer: Ready?

Ava: Ready. (beat) Wait—can my boyfriend in the back make me laugh?

Photographer: On three.

August (off): Wizardry!

Ava snorts, honest and adorable. Click.

Photographer: Perfect.

Ava: Frame it.

END.

Girl Meets Life After High School – Episode Seven: Girl Meets Return of the Cowboy

 

COLD OPEN – DORM 3B – LATE AFTERNOON

Riley and Maya are “studying” (which looks suspiciously like rearranging stickers on a planner). Phone dings. A text from LUCAS: “Touchdown. Boomerang back. Details at Eric's? 🤠🦬”

Maya: (feral squeal) He’s back.

Riley: (same energy, then panics) Our essay is due at 9 a.m.

Maya: Essays are forever. Cowboys are… also forever. But cuter.

Riley: Ring power, then paragraph power.

Maya & Riley: Ring power.

Smash to sting.


ACT ONE

SCENE A – ERIC'S APARTMENT – EARLY EVENING (A-PLOT KICKS)

A comfy Philly walk-up: thrifted couch, cowboy hat on a lamp, Dean Buffalo on a shelf. Farkle’s agenda on the coffee table; Zay has fries he “found.”

Eric (bursting from the tiny kitchen, sash on): Good! (door) Better!

Lucas enters with a duffel and that apologetic grin.

Maya: You came back.

Lucas: Not all the way back—twenty minutes that way back. Westchester Ag & Vet Institute partnered with Pennbrook for lab hours. I do goats in the morning, anatomy here in the afternoon. And I’m crashing here until I find housing.

Zay: A true commuter cowboy.

Farkle: (already adding to his calendar) And your visitation windows?

Lucas: Weeknights after six unless a cow gives birth. Saturdays are “us,” Sundays are study.

Maya: (melts) He made a plan. My love language is infrastructure.

Riley: (trying to be normal) I’m very calm for you. (immediately not calm) I’m not calm at all!

They group hug. Eric tries to join; everyone groans; he joins anyway.

Eric: The boomerang returns. Good!


SCENE B – KITCHEN PASS-THROUGH – CONTINUOUS

Zay leans to Eric, conspiratorial.

Zay: Operation “Farkle Can’t Even.”

Eric: Codename?

Zay: Project: Truck-Driver Key Change.

Eric: We modulate his schedule up a half-step every scene until he breaks into interpretive math.

They fist-bump. Farkle senses a disturbance.

Farkle: Why do I feel like someone just reflowed my Gantt chart?

Zay/Eric: No reason.


SCENE C – DORM 3B – LATER

Riley pins a sticky note: “Comp Lit: 1500 words by 9 a.m.” Maya sets out snacks like a raccoon wedding.

Riley: Tonight: we write. Lucas news is a side dish.

Maya: Lucas news is the entrée, dessert, and tiny mint on the way out.

Riley: I will physically duct-tape us to our desks.

Lucas pokes in the doorway with a sheepish wave.

Riley/Maya: (in unison) Hi.

Lucas: I’m just saying goodnight. And leaving. Because boundaries. (beat) Also I brought you both pens shaped like tiny cows.

Maya: He’s dangerous.

They peck him; he exits; they spin to the laptops.

Riley: Essay.

Maya: Essay.

They both type: “The—”

They both stop, grin at nothing.

Riley/Maya: Ugh!


ACT TWO

SCENE D – QUAD / STUDENT CENTER – NEXT MORNING

Riley and Maya, faintly feral from minimal sleep, cross paths with Zay, Eric, and a very caffeinated Farkle.

Farkle: 08:00—Window Collective set-up. 08:15—lab safety check. 08:30—Dean’s—

Eric: Surprise! The Dean meeting moved to 08:23 because we love jazz.

Farkle: Schedules do not start at :23.

Zay: Life starts at :23. Also we RSVP’d you to Power Ballad Breakfast Club at 08:47.

Farkle: That’s… not a time.

Eric: It is if you believe.

Farkle twitches.

Riley: (to Maya) If I stare at the sun, will it give me a thesis?

Maya: Worth a shot.

Lucas jogs up in scrubs with a jacket.

Lucas: Morning. First rotation: goats. Second rotation: you two eating breakfast like humans.

Riley: (melts) He’s a calendar with biceps.

Maya: Go save the goats. We’ll save the grade.

He kisses her forehead and peels off. They exchange a look: focus.


SCENE E – RACHEL’S OFFICE – 08:23 EXACTLY

Farkle, Zay, and Eric sit. Rachel looks over her glasses.

Rachel: Why is Mr. Minkus vibrating?

Zay: He’s experimenting with syncopation.

Eric: It’s character development.

Farkle: They are committing a hate crime against time.

Rachel: Hm. As Dean, I endorse structure. As Rachel, I endorse a little mess. (to Zay/Eric) You get one hour a week to “Candid Camera” Farkle. (to Farkle) You schedule it.

Farkle: I… schedule my own chaos?

Rachel: Or I schedule a course called “Uncertainty in Human Systems” and enroll you all.

Eric: (salutes) Good! We accept Mondays at 4:13.

Farkle: (pained) …Fine. 4:13.

Rachel: We’ve invented Containment Banter. Congratulations.

Farkle… relaxes 5%. Progress.


SCENE F – LIBRARY – AFTERNOON

Riley and Maya, surrounded by coffee, finally find flow.

Riley: (reading her screen) “Alone together is the modern pilgrimage—” That’s… something?

Maya: “We romanticize the distraction to avoid the revelation.” That’s… also something.

Riley: We might be geniuses. Or hallucinating.

Maya: Yes.

Skyler (RA): (whispering) Last call for printers. And hydration. And touching grass.

Riley: We’ll touch grass at graduation.

They type furiously.


SCENE G – PRACTICE YARD – LATE AFTERNOON

Lucas exits lab, finds Maya on a bench printing pages from her phone.

Lucas: How’d it go?

Maya: We did it. There were metaphors. And also this sentence I don’t understand but my soul seems into it.

Lucas: I knew you would. (beat) Thank you for not making me choose between here and there.

Maya: I like you boomerang. I don’t need you Velcro.

Lucas: (smiles) I’ll embroider that on a pillow.

They sit. Quiet good.


ACT THREE

SCENE H – ERIC'S PLACE – EARLY EVENING (B-PLOT PAYOFF)

A little sign: “Containment Banter – Mondays, 4:13–5:00.” Zay and Eric are READY with props. Farkle arrives… with a whistle and a stopwatch.

Farkle: Ground rules. You get 47 minutes to attempt to shatter my composure. When the stopwatch dings, order resumes.

Eric: You set the chaos calendar to :13. Cute.

Zay: Hit it, Maestro.

Montage:

  • Zay plays a clip of a key change; Eric yanks a rug slightly askew; Farkle straightens it without looking.

  • Zay moves items on Farkle’s desk by spiral numbers; Farkle breathes through it, labels the spiral.

  • Eric keeps swapping Farkle’s pen for a crayon; Farkle finishes a perfect chart in crayon.

Stopwatch dings.

Farkle: Time.

Zay: He cannot be rattled.

Eric: We created a monster. A punctual, purple-pen monster.

Farkle: I prefer “optimized human.” Same time next week.

They high-five in reluctant respect.


SCENE I – WINDOW COLLECTIVE MEETING – NIGHT

A small crowd. Donation bins. Rachel at the back, Skyler at the sign-in, Zay setting up a speaker, Farkle taping a neat agenda, Eric placing Dean Buffalo on the table like a mascot.

Riley and Maya arrive, bleary but proud, clutching their submitted-receipt emails.

Riley: We turned it in.

Maya: We turned us in. Boundaries with a thesis.

Lucas: (arriving with a little bouquet of supermarket daisies) For the authors.

Riley: (soft) For the window.

They sit. Riley addresses the group.

Riley: Quick share: we almost let good news steal our good work. Today we learned—celebrate, then show up. We did both. You can, too.

Maya: And if you’re far from someone you love—be near to the thing you’re building. It makes the reunion sweeter.

They exchange a look. Ring power.

Riley/Maya: Ring power.

Rachel watches, proud.

Rachel (to Skyler, quiet): Glue.

Skyler: The good kind.


TAG – CAMPUS GREEN – LATE NIGHT

Riley, Maya, Lucas, Farkle, Zay, and Eric lay on blankets looking up. The girls drift toward sleep; Zay hums a legally-paraphrased power ballad; Farkle sets an alarm for exactly 4:13 next Monday; Eric wears his sash as a blanket.

Maya: (half-asleep) You’re still here, right?

Lucas: (squeezes her hand) I’m right here. And twenty minutes that way. But right here.

Riley: Alone together.

Maya: Together alone.

Zay: And with Céline in our hearts.

Farkle: …Fine.

They laugh quietly under the campus sky as the boomerang cowboy stares up at the stars he left and found again.

END.

Saturday, September 13, 2025

Another Boy Meets World – Episode Four: “Boy Meets Baseball”

 

COLD OPEN – MATTHEWS KITCHEN, MORNING

Topanga flips pancakes shaped like baseballs. Cory wears a faded Phillies tee.

Auggie: Today I make JV. Also, call me August—it sounds like a walk-up song.

Cory: It sounds like a month that hits doubles.

Topanga: And hydrates between innings.

Auggie: Hydration is my brand.

Ava bursts in, backpack and boundless energy.

Ava: I brought protein muffins and twelve pep talks. We’re carb-loading your dreams, August.

Auggie: You’re the best chaotic coach.

Cory: Remember: baseball’s a game of failure. Even the greats miss seven out of ten.

Auggie: Encouraging.

Cory: Weirdly, yes.

Smash to titles.


ACT ONE

SCENE A – HIGH SCHOOL BASEBALL FIELD – AFTERNOON (TRYOUTS)

Whistles. Clipboards. A banner: JUNIOR VARSITY TRYOUTS.

COACH RUIZ (40s, warm but no-nonsense) watches drills. Dewey (cardigan traded for a cap) takes grounders with surprising hands. Auggie/“August” jogs to the plate, nerves tingling.

Coach Ruiz: Daniels—slick glove. Matthews—you’re up.

Dewey: Let’s be legends, August.

Auggie: Let’s be… adequate legends.

Pitch. CRACK. Dewey ropes a liner to left.

Mikey (big ninth grader, catcher’s gear, friendly) grunts, impressed.

Mikey: Didn’t hate that, Dewey.

Dewey: Thank you, terrifying friend.

Auggie steps in. First swing—late. Second—foul tip. Third—little dribbler off the end of the bat.

Coach Ruiz: Hustle!

Auggie sprints. Thrown out. He exhales, nods, goes back in line, keeps going. He makes three decent plays at second. One ugly overthrow. He keeps going.

From the bleachers, Cory and Shawn cheer like dads who still think they’re sixteen.

Shawn: He’s got hustle. I taught him that—indirectly—by never having it.

Cory: Your honesty is my favorite coaching style.


SCENE B – TOPANGA’S CAFÉ – LATE AFTERNOON

Topanga ties an apron onto Ava.

Topanga: Today: bakery science. We measure, we breathe, we resist the urge to turn on every mixer at once.

Ava: Is there a setting for “supportive cyclone”?

Topanga: Yes. It’s called “fold gently.”

Ava inhales, tries to “fold gently.” Flour poufs. She laughs, then focuses.

Topanga: We’ll make pretzel snickerdoodles. Philly energy for our favorite almost-Philadelphian.

Ava: Cory’s going to cry into the dough, isn’t he?

Topanga: That’s plan B.

They work—Ava’s bounce channeling into precision.


SCENE C – SOHO ANTIQUE SHOP – EVENING

Exposed brick, glass case of sports memorabilia. Cory and Shawn browse.

Shawn: Whoa. 2008 Phillies ball. Utley, Rollins, Howard… you can see the scuffs.

Cory: That ball is history. It smells like parade.

SHOP OWNER (Ms. RIVERA) steps into the back with a “be right back.”

Shawn: Let’s get it for the café—fundraiser, display, moral support for small cookies.

Cory: I’ll Venmo you.

Shawn: No, I’ll Venmo you.

They nod, each believing money has happened. Ms. Rivera never reappears. They chat, get distracted by a vintage lunchbox, absentmindedly tuck the bagged baseball under Cory’s arm, and stroll out.

Street. Beat.

Cory: …Did we just pay?

Shawn: Obviously. Probably. …Maybe.

They both stare at the bag.

Both: Oh no.

Smash to commercial-ish.


ACT TWO

SCENE D – FIELD, DUSK

A paper on the dugout: JV ROSTER. Players crowd.

Dewey: My heart did parkour.

Auggie: Mine’s in a rain delay.

They scan.

Dewey: (reads, stunned) Dewey Daniels. I—(to August) I made it?

Auggie: (forces a smile) Dewey, that’s—yes. That’s yes.

Dewey: (giddy, then notices August’s face) August…

Auggie: I’m… not on it.

Beat. Dewey wilts; he wants to fix it.

Coach Ruiz joins.

Coach Ruiz: Matthews. You’ve got baseball in you. Not… today. Your reads were late, your arm’s got work. But you show up. I like kids who show up.

Auggie: Thank you for not lying.

Coach Ruiz: How about you be our team manager? Stats. Charts. Practice reps every day. You grind now, you try again.

Auggie: (breathes, nods) Yes, Coach.

Dewey: We’ll practice after practice. I’ll bring the tee, you bring the unbreakable spirit.

Mikey: (gruff) I’ll soft-toss. Don’t tell anyone I’m nice.

Auggie smiles for real.


SCENE E – TOPANGA’S – EVENING

Cookies bake. Ava ices like a pro. Riley pops in; Maya snags a warm one.

Riley: These are illegal in twelve states.

Ava: Legal here, baby.

Topanga’s phone buzzes. She reads a text from Cory (“might have accidentally borrowed a ball”). She tries not to panic.

Topanga: Ava, want to learn customer-service crisis calm?

Ava: I was born for crisis. The calm is new.

Topanga: You’ve got this. Fold gently.

Ava nods, steadies herself, continues icing.


SCENE F – SOHO STREET / ANTIQUE SHOP – NIGHT

Cory and Shawn power-walk back.

Shawn: We confess, we pay, we buy extra coasters out of guilt.

Cory: We bring cookies as reparations.

They reach the door—closed. Ms. Rivera locks up, sees them through the glass.

Cory: We accidentally stole a ball!

Shawn: We’re sorry!

She points to a sign: “Closed. Back at 10.” She also points to the ceiling camera and smiles: “It’s fine, come tomorrow.” She mimes “keep it safe.”

Cory: I feel seen and also mug-shotted.

Shawn: We are returning in the morning with more money than the ball is worth.

Cory: And an apology that could win an Emmy.

They clutch the bag like it’s radioactive and head out.


SCENE G – AUGGIE’S ROOM – NIGHT

Auggie/“August” flops onto his bed. The door opens—Ava and Topanga with a plate of pretzel snickerdoodles.

Ava: For the manager of the century.

Auggie: (half-laugh) Is that what I am?

Topanga: Today, yes. Tomorrow you’re also a kid who didn’t make a list and still found a way to belong. That’s… adulthood.

Ava: And we’re fundraising for new nets and tees at the café this weekend. You, sir, are head of marketing.

Auggie: I can do marketing. (beat) I thought I only wanted one thing. Turns out there’s this other thing I can be good at—until the one thing catches up.

Topanga: People change people. Effort changes outcomes.

Auggie: (to Ava) Thanks for not pep-talking me to death.

Ava: I pep-baked. New skill.

They clink cookies.


ACT THREE

SCENE H – ANTIQUE SHOP – NEXT MORNING

Bells jingle. Cory and Shawn enter with the ball, a bag of treats, and absolute humility.

Cory: We are so sorry. We both thought the other paid. We are adults with receipts in our hearts and none in our hands.

Shawn: We absolutely want to make this right.

Ms. Rivera taps the security monitor replay—Cory and Shawn chattering, waving their phones, wandering out. Harmless, ridiculous.

Ms. Rivera: Relax. You two are exactly the kind of honest-idiot I can tolerate. Price is here. Tax is here. Add… a “don’t do that again” fee.

Cory: Gladly. Also, could we perhaps… purchase it for a school fundraiser?

Ms. Rivera: Even better. That ball should see kids.

Shawn: You’re a saint.

Ms. Rivera: I’m a small business owner. Also—(bites cookie)—whoever baked this can have my lease when I die.

They all laugh. Transaction actually happens. Cory clutches the receipt like a newborn.


SCENE I – TOPANGA’S – WEEKEND FUNDRAISER

Decor: mini pennants, a sign: “JV EQUIPMENT DRIVE: EVERY KID GETS A SWING.” Donation jars. Pretzel snickerdoodles tower. The autographed Phillies ball sits in a display with “Silent Auction.”

Ava works the counter with calm sparkle. Topanga beams.

Riley, Maya, Farkle, Zay run a raffle table. Zay’s got a sign-up for “Power Ballad Batting Stance—Find Your Inner Céline.” Farkle pretends to hate it.

Coach Ruiz shakes Cory’s hand.

Coach Ruiz: This? This matters.

Auggie in a “Manager” lanyard hustles—sticks labels on bins, helps little kids line up for a wiffle ball station. Dewey mans the tee.

Auggie: Ready? Back elbow up. Eye on the ball. And if you miss—cool—we’ve got a thousand more.

The kid smacks one. Crowd cheers. August whoops like he hit it himself.

Cory & Shawn step to a mic.

Cory: Quick story. Yesterday, Mr. Hunter and I accidentally shoplifted this baseball.

Shawn: Accidentally borrowed without money. We returned. We paid. We learned. (beat) We’re donating it to fund your gear and the school’s display case—if the bidding doesn’t get too spicy.

Laughter. The honesty lands well.

Silent auction ends. A local business wins the ball, then donates it back to the school. Applause.

Coach Ruiz: (to August) You’re already making the team better.

Auggie: I’m practicing.

Dewey: After this, park? Tee work? I downloaded seven drills and named them like gladiators.

Auggie: I love us.

Mikey lumbers past with a tray of cookies.

Mikey: These slap.

Ava: Thank you, terrifying friend.


SCENE J – FIELD – SUNSET

Empty diamond. Dewey soft-tosses. Auggie swings. Thwack… thwack… crack. A clean liner into the gap.

They both freeze, then cheer like lunatics. August’s grin could power the stadium lights.

Dewey: Legend behavior.

Auggie: Practice behavior.

They jog to pick up balls. Cory watches from the bleachers with Topanga and Ava, quietly proud.

Cory (to them): In baseball—and the rest—you own your outs the same way you own your hits. That’s how you stay in the game.

Topanga: And how you get dessert.

Ava holds up a cookie bag. August waves his bat. Fade.


TAG – TOPANGA’S, LATE NIGHT

The fundraiser’s over. One cookie remains.

Ava: For the manager.

Auggie: For the baker.

They break it in half. As they bite, someone HONKS outside. They glance; a familiar goose stands at the window, eyeing a pretzel sign.

Ava: Don’t feed him.

Auggie: I’ll make him a lane.

They prop the door and usher the goose along the sidewalk like two seasoned New Yorkers. It waddles off, satisfied.

Ava: We’re oddly good at this.

Auggie: Teamwork’s our brand.

They bump shoulders. Lights out on Topanga’s.

END.